Victor Frankenstein occupies exactly the position modern law worries about: a highly skilled expert voluntarily creating a novel, high‑risk artefact with unknown externalities.

Key features that map onto modern duty‑of‑care analysis:
If you translated this into tort language, Victor:
That is the skeleton of a modern negligence claim.
Contemporary AI law is just now catching up to this structure.

In jurisprudential terms, Shelley is already staging:
A move from fault as “personal wickedness” to fault as “failure of responsible governance of artefacts you have set in motion.”
Victor is not malicious; he is negligent. That is precisely the concern in modern AI negligence scholarship and in proposals for strict or quasi‑strict liability for AI‑caused harms (Scherer, 2016; Calo, 2017)
The novel also surfaces a dual‑track duty that modern AI law is just starting to articulate:

Victor breaches both: he abandons the creature (arguably triggering its later violence) and fails to warn or protect the public.
Modern AI law currently recognizes only the first duty in formal terms – duties toward people who might be affected by AI (e.g. anti‑discrimination, safety, data protection).
But the novel anticipates an emerging ethical (and potentially future legal) notion that developers also owe stewardship obligations toward highly autonomous systems themselves – to train, constrain, and maintain them appropriately. That’s jurisprudentially interesting even if current positive law still treats AI as “things”.
Negligence hinges on what a reasonable person in the defendant’s position “could have foreseen”. The novel is obsessed with that exact question.

Shelley builds in clues that:
From a doctrinal perspective, Victor tries to narrate his responsibility as tragic miscalculation, but Shelley gives the reader enough information to see that the danger to others was:
This is exactly how courts reason about foreseeability in negligence: the precise mechanism needn’t be predicted, but the general character of harm must be within the scope of what a reasonable actor should anticipate.
Contemporary AI regulation is now writing foreseeability into black‑letter obligations:

Jurisprudentially, this does two important things that Shelley dramatizes narratively:
Shelley’s narrative thus previews a key jurisprudential shift: from seeing catastrophic tech harms as unforeseeable “acts of fate” to treating them as failures of institutionalized foresight.
A recurring argument today is that complex AI models are “black boxes”, so developers cannot foresee specific harmful decisions. Legislators respond by:

Victor is a kind of narrative prototype of the “we couldn’t possibly have known” defence. Shelley invites the reader to reject that excuse. Contemporary AI jurisprudence is starting to do the same.
By any plausible philosophical test, the creature is a moral agent:

Shelley constantly forces us to see him as capable of moral accountability and capable of being wronged. Yet within the story, he has no legal name, no status, no forum, and is treated alternately as an object of horror and as an outlaw, but never as a bearer of rights.
This maps onto the basic jurisprudential distinction between:
The creature plainly satisfies the first but is denied the second.
The Frankenstein figure has been explicitly taken up in legal scholarship as a symbol for anxieties around autonomous machines and liability.

Within positive law, a 2017 European Parliament report on civil law rules for robotics (European Parliament, 2017, ¶59(f)) floated the idea of recognising certain advanced robots as “electronic persons” with specific rights and obligations, explicitly evoking Frankenstein in its political rhetoric.
However, this “electronic personhood” idea has since been heavily criticised (Open Letter to European Commission, 2018; European Group on Ethics, 2018) by scholars and advisory bodies as conceptually confused and potentially a way to shield human actors from liability. It has been dropped from subsequent AI liability proposals.
The current mainstream view in AI law is clear:
Jurisprudentially, Frankenstein anticipates two deep problems in this debate:
Should law’s categories of “person” and “thing” evolve to recognize new, intermediate statuses for highly autonomous but non‑sentient systems, solely for the purpose of organising responsibility?
Many “electronic personhood” proposals effectively treat AI as a functional legal person (like a corporation), a fiction used to pool risk and simplify claims, not as a moral equal. Shelley’s creature reminds us that legal personhood is a tool of the legal system, not a mirror of metaphysics—and that we should be very wary of using new legal “persons” to push real human responsibility into the shadows.
The novel’s ultimate jurisprudential move is to depict responsibility not as a single arrow (from act to actor) but as a dense web involving:

Modern AI scholarship on “responsibility for intelligent artifacts” and AI‑enabled harms makes the same move: liability and responsibility are distributed across designers, trainers, data providers, deployers, and institutional users, with debates over whether to supplement negligence with strict liability or new enterprise‑risk regimes (Matthias, 2004; Santoni de Sio & van den Hoven, 2018).
Shelley’s 1818 narrative anticipates that challenge by refusing an easy villain: legally, Victor is negligent; morally, so is almost everyone else.

A highly expert actor builds a powerful autonomous system without external oversight, ignores existing moral warnings, and abandons monitoring and control after deployment. Modern AI law responds by articulating explicit duties of reasonable care, documentation, risk management, and post-market monitoring for developers and deployers—precisely the obligations Victor lacks.

The harms (violence, social destabilisation) are tragically foreseeable at least in type. Shelley shows the catastrophic consequences of treating radical innovation as if its risks are beyond human foresight. Modern regimes like the EU AI Act and Colorado AI Act (Regulation (EU) 2024/1689, Article 9; Colorado Revised Statutes § 6-1-1704, 2024) embed “known and reasonably foreseeable risks” as central triggers of legal responsibility and ongoing governance duties.

The creature is a full moral agent denied legal standing; modern AI is (for now) the opposite—legally regulated but not morally self-directing. Debates about “electronic personhood” and “machine defendants” replay, in legal-technical form, the novel’s core question: who do we hold to account when artefacts act in ways we find horrifying but have ourselves prepared?
So in jurisprudential terms, Shelley's 1818 story is not just a “don’t build monsters” myth. It is an early, remarkably precise case study in AI governance:
HISTORICAL PARALLELS